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Write. Exercise. Shower.
by David Boyne
“You've got to jump off cliffs and build your wings on the way
down.”
—Ray
Bradbury
I
have been trying to be A Successful Writer for over four decades and
have managed to learn next to nothing about how to do it. But one
thing I do know for sure is that every writer should have a mantra.
When
I was 22, living alone in desperate poverty disguised as delirious
excitement, I tried to be A Successful Writer by spending many hours
laboring over a Remington Rand manual typewriter inside a
fifth-floor walkup garret in Manhattan’s East Village. I used a
mantra I had inherited from my Irish-Catholic-New-England-Yankee
childhood. It was freighted with all the self-reproach and
self-doubt I was brought up to. It went like this: "Stop whining and
sit down and write something—anything—for chrissakes!"
By
the time I was 28, I was married to a beautiful and brilliant woman,
well-fed, well-loved, and had someone to stay up with until 3am
talking about everything, absolutely everything. I tried to be A
Successful Writer by spending many hours pressing keys on a buzzing
electric Brother typewriter inside a big, comfortable apartment. I
had modified my mantra by then. It went like this: "You're the
luckiest dumb bastard in history so stop your whining and sit down
and write something—anything—for chrissakes!"
By
the time I was 35, I had caught on that if a mantra is to be
effective (i.e. to summon the divine and open oneself to the flow of
creativity) it must not only be commanding, it must also be kind. By
then I was unmarried again and living with a cute, playful
red-haired woman in a small, comfortable house in Portland, Oregon,
and spending many hours in the attic tapping on the keyboard of my
second-hand computer, trying to be A Successful Writer. It was a
productive time, for I had discovered a new mantra, and almost every
day it encouraged, emboldened, and inspired me to write
something—anything—for chrissakes.
Here
it is: "Work. Relax. Don't think."
I
discovered this magnificent message in perhaps the best book I’ve
yet come across on the art of being A Successful Writer—or for that
matter, on being a successful human being: Ray Bradbury's Zen in
the Art of Writing: Essays on Creativity. I adopted Bradbury's
mantra because it meets the Prime Directive of Successful Mantras:
it is commanding, yet kind. I also got a kick out of how the three
parts of its magic equation can be sung in any order. ("Relax. Don't
think. Work." is every bit as efficacious as "Don't think. Work.
Relax.") Bradbury's mantra summons the divine because it transcends
writing and tells us how all creative acts are accomplished: we must
relax, we must turn off our ego-driven brains, and we must do
something—anything—for chrissakes.
Finding the right mantra at the right time of your development can
free you to be the writer that you and only you were meant to be
(without struggle, and those annoying drops of blood oozing from
your forehead). Fortunately, perfectly good mantras are as plentiful
as seashells in a core sample from the Rocky Mountains. The best
ones, naturally enough, come from other writers.
Once
upon a time, I had a friend who, by her mid-thirties, had already
achieved more, intellectually and professionally, than everyone in
my high school graduating class—combined. She then decided she would
be a writer. So she became a writer. She quickly became recognized
as a very good writer, earning contracts with agents and having
people she didn't know promptly answering her emails and returning
her phone calls.
I
would sometimes wonder how my friend managed to be so good at so
many things, and then to so quickly become good at the one and only
thing I had been trying all my life to be good at—writing.
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Sure,
maybe her being brilliant, and disciplined, and having compelling,
compassionate, rich stories to tell had something to do with her so
easily becoming A Successful Writer. But I suspected that she had
some secret juju.
There
came a time when my ever-achieving friend had to put aside her
writing for several weeks while triumphantly succeeding in a few of
her other demanding pursuits. When, triumphant, she returned to her
daily writing, she was ecstatic. (And triumphant.) While in this
state of triumphant ecstasy, she emailed me of the mind-expanding,
muscle-building, soul-inspiring power of once again being free to
write, to exercise, and to shower. In that order.
As I
read and re-read my friend's letter, I was transfixed. "That's it!"
I cried at my computer monitor, rudely awakening the snoozing golden
retriever curled at my feet. "That’s her juju! That's her mantra!”
In
case it slipped past you, here it is again: Write. Exercise. Shower.
Like
Ray Bradbury's mantra, my friend’s mantra has three steps. But
unlike Ray Bradbury's mantra, the three steps must be performed in
exact order: Write. Exercise. Shower. And only after that should you
do any of the thousand other things clamoring for your mind, your
body, and your well-groomed attendance.
First, you must write. There is no getting around it. As the
writer-artist and pretend-scientist Sigmund Freud correctly
asserted, work is as essential to our happiness as love. (Hey.
There's a nice little mantra: Love and Work. Goes backwards, too:
Work and Love. Thanks, Sigmund!)
Second, after you write, you must exercise. Why? Because writing
takes a lot of every kind of energy we have. Physical, psychic,
spiritual, and neurotic. And given the fact that we are each of us
spirits encased in flabby bags of water, if we do not exercise, the
few bones and muscles supporting our flabby bags of water will slosh
down the slippery slope of decrepitude faster than you can buy a
used NordicTrack at a yard sale.
Finally, and of great importance, you must shower. Showering
completes the circle of creativity, washing away the mental
exhaustion of our writing and the bodily aches of our exercising,
while rejuvenating our imaginations and reinvigorating our urge to
create. For it is in the shower, when our left hemisphere is
concentrated on lathering our hair and our carefree right hemisphere
is romping through sunlit fields of daisies on Mars, that we have
our most brilliant ideas.
More
novels, cures for diseases, television pilots, pop tunes, ponzi
schemes, and new dessert products were discovered in the shower than
in every think tank, library, and laboratory on the planet—combined.
Write. Exercise. Shower.
And
after you have written, exercised, and showered, you will go to your
money-paying job, knowing you have already given the best part of
your Self to your true heart’s desire.
It
will not matter whether you pay for the laptop, the NordicTrack, and
the hot water bill by being a psychiatrist in private practice, a
clerk in a department store, or a programmer in a sea of cubicles in
India.
When
you write, then exercise, then shower, your prayer, your mantra, has
been offered.
And
answered.
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