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August
2010 Book Reviews: Non-Fiction |
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by
Daniel Okrent
reviewed by
Kevin
Lauderdale
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Everyone loves
reading about a fiasco, and one that affected a whole nation,
launched criminal empires, and is infused with the glamour of New
York speakeasies and Havana nights can't help but be a winner.
Last Call is the best, most entertaining non-fiction book of the
year so far. As Okrent tells the tale of the 13 years during which
the manufacture and sale of alcoholic beverages was illegal, we see
how it started out as a simple moral movement that rapidly gained
strength when it joined with anti-immigrant factions. Evangelist
Billy Sunday declared that Prohibition that would end slums and
empty prisons, which could then be turned into factories and
corncribs: “Men will walk upright now, women will smile, and the
children will laugh. Hell will be forever for rent.” Americans being
Americans, there were loopholes in the Volstead Act (the actual laws
governing Prohibition), and they were exploited. Doctors were
allowed to write prescriptions for medicinal alcohol, launching the
first “drug-stores” (the source of Gatsby's wealth in Fitzgerald's
novel). It was legal to sell wine for sacramental purposes, and
Beaulieu Vinyards made a fortune by encouraging bishops and
cardinals to visit the lovely, sycamore-shaded Napa Valley estate to
“test” the wines. Asking for a particular brand of liquor got its
start during the “dry” years in order to protect yourself from
whiskey or gin which might be flavored industrial alcohol originally
destined for an aftershave manufacturer—or badly-made wood alcohol
which could blind you. Soft drink sales soared. Scofflaws (a term
coined specifically for Prohibition “wets”) used it to make
questionable hooch palatable, while the law-abiding drank it instead
of liquor. Ultimately, the system could not sustain itself.
Forty-four percent of all government prosecutions were
Prohibition-related, and city and state legislatures had neither the
staff nor the popular will (bootleggers had “customers, not
victims”) to fight what many considered to be perfectly civilized
behavior.
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by
Sam Kean
reviewed by
Neil Swain
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Gallium is a metal whose melting temperature is a mere 84 degrees
Fahrenheit: you can cast objects out of it like you would with
silver or iron, but anything you forge will begin melting as soon as
it encounters a hot day, or a steaming cup of tea—thus its use in
gag jokes and in the title of Sam Kean's The Disappearing Spoon.
Using the grouping of the periodic table as a starting point, Kean
unwinds a series of stories about everything from noble gases to
actinides, and the scientists who worked on them. He covers
world-renowned names like Marie Curie, James Watson and Francis
Crick, but takes special care to write about the lives of
lesser-known and almost unknown scientists: those whose spouses and
fellow researchers took credit for their labwork, those whose papers
were published late or disrupted by world wars, and those who
labored for decades in obscurity. Many of the best stories are
located in the first half of the book, but some of the most
interesting scientific writing is in the second, when Kean begins
describing the creation of manmade elements that can exist only for
fractions of a second in a lab environment. The Disappearing
Spoon is an excellently researched story about our understanding
of elemental properties.
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by
Rob Sheffield
reviewed by
Kevin
Lauderdale
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Sheffield's hilarious memoir of his high school and young adult
years, as filtered through the music he was listening to at the
time, pulls no punches. On one hand, the 80's were a cultural
wasteland: “the biggest movie of 1985 was the one where Michael J.
Fox used a time machine to get the hell out of 1985.” On the
other hand, the music we have in high school becomes the soundtrack
of our youth, and, because the emotions are happening to us, the
tunes are always perfectly appropriate. The five years that Gatsby
and Daisy had—for Sheffield, “the emblem of a doomed, fatal, endless
obsession”—are the same five years as the boy and girl in Human
League's “Don't You Want Me.” The siren on the cover of a Roxy Music
album is the teacher he had a crush on. Sheffield dutifully
chronicles his failed experiments with New Romantic clothing (“I
blame a certain Scritti Politti video.”) and his obsession with A
Flock of Seagulls' hairdos (“They were the first famous rock group
ever to have started out as hairdressers—and they definitely saved
their best work for themselves.”). But he also provides an analysis
of one-hit-wonder bands like Men Without Hats and Haysi Fantayzee
(if you have to ask, this is not the book for you), and recounts his
sister’s experiment in wringing humor from New Kids On The Block.
The 80’s where indeed a time were everyone could act like they came
from out of this world and leave the real one far behind.
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by
Jeff Deck and Benjamin D. Herson
reviewed by
Kevin
Lauderdale
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The internet has given us a new literary genre: My Year of Doing X,
writing a blog about it, and then turning that into a book. Deck and
Herson's adventures across America correcting public spelling
errors (“bread puding” offers a sign outside one restaurant, “He's
Black and Im Proud” declares a Barack Obama t-shirt, while another
restaurant warns “No Smoking Are Dogs Allowed”) is part guerilla
theater and part Eats Shoots and Leaves. Started because Deck
has an eye for typos and wanted to combat what he only half-jokingly
calls “the creeping menace of carelessness,” (referral vs
referal: “the difference between directing someone to the help
they need and . . . returning to savagery?”) the result is much more
than you might expect. More than an exercise in activist sticklerism,
the authors discuss the ultimate meanings of conversion and language
as they travel from town to town armed with Wite-Out, black markers,
and chalk. The Obama t-shirt leads to a conversation with the seller
about race and politics. A typographical incident at a Hallmark
store results in ruminations on the nature of our service economy.
The authors always asked permission before making any correction,
and it's remarkable the number of times they were turned down. If
the fix could be made without anyone noticing the change (simply
removing the extra, giant plastic T from a sign selling SWEATTS),
that was fine, but few people wanted a correction that would draw
attention to itself (forcing a 've between you
and got). Though a shop owner “would hardly appear infallible
by not correcting the error” he might prefer instead to try to “get
away with it.” That speaks volumes about our culture. Before and
after pictures of numerous corrections are included. |
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Fiction |
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by
Carl Hiaasen
reviewed by
Jon
Land
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Carl Hiaasen’s back in great form and he’s brought a few old friends
along with him for the wild ride in Star Island. In fact,
this zany romp through pop culture features none other than his
greatest creation of all: Skink, aka Clinton Tyree, the former
governor of Florida, who one day walked out of the State Capitol to
become a hermit-like vigilante bent on protecting what’s left of
Florida’s ever-threatened ecosystem.
This time out the wondrous Skink has also sworn to protect one Ann
DeLusia, a mostly failed actress who now makes her living as the
full-time impersonator of an out-of-control rock star who’s a hybrid
concoction of Britney Spears and Lindsay Lohan. She quite
accidentally finds herself kidnapped by sleezy paparazzi Bang Abbot
who leaches off the lives of celebrities hardly worth the effort.
Star Island also features the normal requisite of shady real
estate developers, high-life sycophants, morally depraved
entertainment industry types and, also making a triumphant return,
none other than Chemo from Hiaasen’s Skin Tight. The
hideously deformed giant with a weed whacker for a hand is on board
as bodyguard and keeper of pop sensation Cherry Pye whose constant
indiscretions threaten her career while adding even more hilarious
hijinks to the tale.
There are many imitators, claimants to the throne, but there is only
one Carl Hiaasen who once again masters the sub-genre he practically
invented. The plot may be a bit thin and Hiaasen’s satire somewhat
less savage. But Star Island rates five stars for
laugh-out-loud fun and the best social commentary this side of TMZ.
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by
Allegra Goodman
reviewed by
Kevin
Lauderdale
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Jess Bach and her sister Emily live in the San Francisco Bay Area at
the height of the internet bubble. Emily is the CEO of a high-tech
company that's just gone public, and Jess is a Berkeley grad student
in philosophy. This excellent novel of manners paints the ups and
downs in their fortunes, and those of their friends and lovers, over
the handful of years just preceding and following the turn of the
last century. The people in the sisters' circles are largely young
and uniformly brilliant, no matter what their calling. Though the
characters are all obsessed with IPOs and the “gazillions” they can
bring, this book remains sweetly comic, never satirical. Goodman
loves all of her characters, and her readers will as well—not just
the Bach sisters, but the Dickensian supporting cast who span from a
webmaster rabbi (“I have some Apple, I have some Cisco. I bought
Crossroad Systems at 19. I know from technology stocks.”) to the
sexy British programmer who makes up a blues song about a rubber
chicken. The old and the new, represented by the fixedness of books
and the fluidity of the internet, do battle throughout this novel.
The title refers to a collection of over 800 antiquarian cookbooks
found by Jess' boss, a used book dealer. The books are stored in a
kitchen: in drawers, on shelves. . . in the oven. The question of theory vs. practice (here
“the perversity of substituting cookbooks for utensils”) suffuses
this novel. We used to have to rely upon the artifact for
information, but, if the internet separates the information from the
artifact, do we still need it? The characters ponder that in art,
business, and in love.
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by
Zsuzsi Gartner
reviewed by
Scott
Pearson
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Darwin’s Bastards
is an anthology of Canadian speculative fiction set in the future or
near future (or near alternate past) under dystopian or
post-apocalyptic conditions.
Douglas Coupland’s “Survivor” is a bleak spin on the reality show as
it’s transformed into reality. Timothy Taylor’s “Sunshine City” is a
mystery within a gated community that takes its golf seriously.
Stephen Marche’s “The Personasts” has too much exposition to explain
its vague mysticism.
Jessica Grant’s “Love in the Pneumatic Tube Era,” is romantic and
satisfying. Anosh Irani’s “Notes from the Womb” is a startlingly
original story from the POV of a baby waiting to be born. Elyse
Friedman’s “I Found Your Vox,” while rife with nice pop references,
doesn’t quite rise above the stalker motif.
Buffy
Cram’s “Large Garbage” upends the tension between the privileged and
the homeless. Paul Carlucci’s “This Morning All Night” is a surreal
metaphor for plundering the environment. Sheila Heti’s “There Is No
Time in Waterloo” seems to be about over reliance on technology, but
all its clever physics notions add up to a confusing ending.
Laura
Trunkey’s “Fire from Heaven” is a sprawling story of spontaneous
combustion that ties together nicely. Pasha Malla’s “1999” is a
welcome burst of humor with Prince (the rock star) as the last man
on earth. Matthew J. Trafford’s “The Divinity Gene” is epic in
conception, but suffers from tonal shifts between sections.
Well
worth reading for these and other stories.
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by
Tess Gerritsen
reviewed by
Jon Land
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The adventure started off well enough.
When an early chapter opens like that, you pretty much know things
are about to spin out of control fast and that’s exactly what
happens in Ice Cold. Tess Gerritsen’s latest features one of
the creepiest set-ups this side of Stephen King or Dean Koontz.
But, fear not, this is no cross-genre departure. Instead, it’s a
terrific entry in the Maura Isles/Jane Rizzoli series, which now
has a television offshoot on TNT.
Medical examiner Maura is traveling with friends when a snowstorm
strands them in the very small town of Kingdom Come, Wyoming, where
all the residents have disappeared, vanished with meals on the
table, fires burning, and televisions left on. After an attempt to
find help leads to her disappearance as well, Detective Jane comes
riding to the rescue with a mystery to solve that Maura finds
herself in the middle of after she lands in the custody of a teenage
boy who may be the only one with the answers both she and Jane seek.
One hint: Expect no zombies or monsters released by some scientific
experiment gone awry.
Michael Crichton’s masterful The Andromeda Strain notwithstanding, Ice Cold is suspenseful storytelling at its
level best, certain to chill you to the bone even in the dog days of
summer. A flat-out stunner that’s riveting from first page ‘til
last. |
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The Typist
by
Michael Knight
reviewed by
A.B.
Mead
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Set in Japan during the early days of the American occupation which
followed World War II, this short novel reads more like a memoir.
Spare in detail, but mesmerizing, we follow young soldier Francis
Vancleave as he works as a typist in General Douglas MacArthur's
headquarters in Tokyo. We see the reverence the Japanese hold for
MacArthur as he becomes a replacement emperor to them, the illicit
world of the panpan girls, and the new society struggling to rise
from—yet firmly-anchored to—the ashes to conquest and humiliation.
The plot is composed of intimate, everyday occurrences. Francis gets
roped into being a playmate for MacArthur's young son. A bunkmate
sets up housekeeping with a prostitute. The wife Francis barely
knows, whom he left back home, writes to confess that she's been
unfaithful. All of this is made dream-like by the setting and by the
detachment with which our hero moves and records. For readers with
an interest in post-war Japan, The Typist is an artistic
change of pace. For those without an interest, the novel will inform
and illuminate.
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Young Adult |
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by Louis Sachar
reviewed by
Kevin Lauderdale
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Sachar has set himself the herculean task of writing a YA novel
about . . . bridge. Yes, the card game: north, south, trump,
redouble . . . Fortunately, if anyone has the street cred to get
kids to pick up a book about such an incredibly uncool topic, it's
the author of YA classic Holes. (If potential readers can get
past the cover, which not only doesn't look YA, it doesn't even look
like fiction; it looks like something that you'd hear discussed on
NPR—a book about downsizing and airports, maybe.) The narrator is
seventeen-year-old Alton, who gets forced into helping his
grandfather (who is blind but has a photographic memory) play the
game in a series of tournaments one summer. Although he says that
his goal in telling the story isn't to teach us how to play,
necessarily some of that seeps through as we read. Alton
thoughtfully sets aside sections of the story with a whale sign to
indicate when he's about to go into game details, so less-interested
readers can skip those portions—rather like the encyclopedia
entries on cetology that Melville copied into Moby-Dick—and
just continue with the plot. And there is a plot. This is not a
junior version of Tuesdays with Morrie. There is a family
mystery to unravel involving madness, suicide, and politics—linked,
of course, to bridge. As someone who knows nothing at all about the
game, I found myself becoming more and more interested. I had to
frequently turn back to earlier pages though to remind myself, for
example, who gets to set the trump or that the real number of tricks
is an unspoken six plus whatever you actually bid. The book
helpfully includes the standard North, East, South, West diagrams of
various hands that you see on your newspaper's comics page. Although
probably not destined to launch a major craze for bridge among
America's teens, it will certainly turn a few of them on to it. It
did me.
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by Cathleen Davitt Bell
reviewed by
A.B.
Mead
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Teenager Genevieve Welsh and family are spending their summer
vacation at a “frontier history family camp,”a re-creation of 1890's
pioneer life right out of Little House on the Prairie, an
obsession of Gen's mother's. Of course, she hates it. The clothes
are hot, hungry chickens attack her, and don't get her
started on having to sleep in the same bed with the rest of her
family; back home her little brother isn't even allowed in her room.
True, there's no refrigerator, but the hand-churned butter sure
tastes better than the stuff from the supermarket. She secretly
sends complaining text messages to her friends (“Here's the thing:
being a farmer is BORING”), one of whom puts them up on a blog as
her summer school class project. Gen isn't bratty in her criticisms,
she's practical. It isn't the lack of cable TV that annoys her,
it's all the buttons you have to do up just to get dressed—or undo
to use the outhouse. As Gen bonds with the other kids over games of
Kick The Can, and finds herself competing with another girl not just
for the cutest boy there but in cow milking skill, little does she
know that the blog is becoming more and more popular. |
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