Ridley Pearson

Author of Kingdom Keepers V

Ridley Pearson is a New York Times best-selling author with more than 40 novels published in 22 languages in 70 countries. He has had his novels adapted to both television and the stage. 


Meg Cabot on humor.


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Featured Articles & Reviews

Inside, Outside
by Anna Sheehan
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The Best Way to (Possibly) Be Wrong: The Art of Prognostication
by Jennifer Paros
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Book Reviews
Editor's Pick
A Brewing Storm

reviewed by Jeff Ayers
read article
Getting Hooked Before You Throw in a Line
by Erin Brown
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Inside, Outside
by Anna Sheehan

Success is a strange room to suddenly find yourself in. Having spent all my life amidst the crocodile swamps on the front lawn of the publishing industry mansion – or occasionally huddling, loose leaf papers in hand on the front porch, waiting for the butler to let me into the entry foyer – I got used to being an outcast. It’s a well-worn path. The front porch is littered with the abandoned manuscripts of those who came before and left unsatisfied. The swamp is also littered with dire warning signs of those who never made it to the porch: "Impossible," "Commercial sellouts," and (my personal favorite), "A waste of time."

But, those who dodge the crocodiles and the nay-sayers, who patiently wait out the interminable time between Query and Acceptance, doggedly beginning the journey again when the answer, inevitably, is "no," will eventually find  that front door opened. The inhabitants of the mansion will peep out the window and see you patiently waiting. Perhaps, as in my case, they’ll realize, "I’ve seen her out there before, haven’t I?" You’ll catch an agent’s eye, or an editor’s heart, and suddenly there you will be, in the  foyer, awaiting further discovery.

And then your path changes.  Beginning again isn’t such an arduous journey. You have a friend in that mansion, and your agent or editor has shown you the back door, where there are no crocodiles, and you don’t have to wait for the butler to let you in.
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The Best Way to (Possibly) Be Wrong: The Art of Prognostication
by Jennifer Paros

Several years ago, a friend of mine had lost a substantial amount of weight and a mutual friend asked if I thought she would be able to keep it off.  I said, “ Oh yeah – sure!” 

I remembered this exchange recently and realized I’d been wrong.  That person had gone on to regain the weight.  But although I was clearly wrong, there wasn’t any other answer I would have preferred giving, and certainly not the one that would have made me right. I had been asked to give my prognosis, but a prognosis is ultimately just a guess.  So I guessed in favor of the best change. 

Diagnosis is when we’re told What We Have, basically another way of saying Where We Are Right Now. Prognosis is when we’re told What Might Happen – basically another way of saying Where We Might Go Next.  People tend to be enamored with prognosis; it grows from our discomfort with the unknown.  But it’s easy to see the weakness in prognosticating, for there are more variations of possibilities than there are people on the planet. To feel empowered, it’s necessary to get grounded in where we want to go rather than fixated on an idea of where we could end up.  more...

Book Reviews
Editor's Pick
A Brewing Storm

reviewed by Jeff Ayers

Fans of the Castle TV series know that the author Richard Castle wrote a series of novels starring Derrick Storm prior to writing about Nikki Heat.  The last Storm book killed off his main character.  With the release of the first e-book short A Brewing Storm, the reader quickly learns he faked his death.  

Enjoying retirement, he’s called back to the CIA by his old boss.  Under an assumed name so Storm can technically stay dead, he’s given an assignment that at first seems routine.  A powerful senator’s son has been kidnapped, and strangely two different sets of ransom notes appear.  Storm has to fight the FBI, the CIA, and the senator to get answers.  Everyone seems to have secrets. 

The author ghostwriting for Richard Castle has the formula down cold.  The narrative teeters between pulp parody and classic mystery without going over the top. more...

Getting Hooked Before You Throw in a Line
by Erin Brown

There are a few things that a writer must decide upon before embarking on the journey that I like to call “Writing a Novel.” Okay, most everyone else calls it that too, but I just wanted to sound high and mighty for a brief moment (at least I’m honest). As an editor, I give countless recommendations to writers during the revision process—work on your character arc, tighten the plot, delete this scene, make every line of dialogue count, kill the hero, don’t use 34-point font, make your historical novel longer than 30,000 words, etc. You know, the usual. But there are some issues that you should really decide upon before you ever put pen to paper—or fingers to keys. There are three things that I believe you must establish from the get-go in order to create a novel that is unique, has a chance to sell, and won’t entail going through every single line one by one after the fact in order to make minute changes (and please note this is my opinion, so feel free to think of your own things and curse my name while feeling superior: “Duh, she didn’t even think of that one, stupid editor.” Of course, that’s not very nice, but I digress).  more...

 

 

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